The Bosque collection started with the idea of furniture as built form. Not decoration, not styling — something closer to interior architecture. The Japanese Metabolists in the 1960s imagined buildings as artificial mountains, structures that gave shape to the life around them. Bosque takes that same instinct and brings it down to the scale of a room. The geometry is deliberate: broad, low, grounded. The materials — solid white oak and American walnut — are left to speak for themselves.